The Guardian
-
Botis Seva: Blkdog
The choreographer draws on his own experiences to create a powerful evocation of alienation, oppression and memory
-
Yorke Dance Project: Past Present
Yolande Yorke-Edgell and company join the dots between the founder-mother of American modern dance Martha Graham and the late Robert Cohan
-
Ballet Black: Then or Now / The Waiting Game
Will Tuckett makes visual poetry of love, war and the work of Adrienne Rich, while Mthuthuzeli November journeys to a glitter-coated land of showtime
-
Lanre Malaolu: ‘I asked myself: what will you pass on?’
An interview with young actor, director and film-maker Lanre Malaolu about Black masculinity and his new work Samskara
-
Candoco: Set and Reset/Reset, Last Shelter
Candoco fit into the working wonders of Trisha Brown’s Set and Reset, but it’s a harder ask for Jeanine Durning’s new Last Shelter
-
Didy Veldman/Humanoove: @Home
Actions speak louder than words as a talented cast take a guided tour of our most intimate relations
-
James Cousins Company: We Are As Gods
Some 70 dancers reacquaint audiences with the BAC building in a sumptuous feast from James Cousins Company
-
Sung Im Her: W.A.Y (re-work)
The Korean choreographer’s all-female re-working of this 2019 piece builds patterns and variations to an ecstatic finale
-
Hofesh Shechter: Double Murder
Hofesh Shechter double bill of Clowns, which lambasts our seeming indifference to violence, and a tender antidote called The Fix
-
Rosie Kay Dance Company: Romeo and Juliet
Taking elements of contemporary, hip-hop, classical Indian and streetdance, Rosie Kay’s version of Shakespeare has a clamour of activity and ideas