writing on dance
Welcome to my catalogue of writing on dance – a searchable, referenced, linked-up and pretty much complete collection of more than 780 of my published writings on dance (+ a bit more), dating back to 1994. Feel free to jump in.
Latest published articles on the archive
The Israeli choreographer led youth groups in an exhilarating open-air performance to celebrate the gory, glorious history of London’s East End
The sun shone on the open-air Dancing City at Greenwich & Docklands Festival, with Cia Moveo and Jesús Rubio Gamo (Spain), and UK's Candoco, Gandini Juggling Project, Humanhood and more
Crystal Pite and Jonathon Young’s The Statement is the choreographic standout in a company of superb dancers
Southpaw’s open-air work combines the combative prowess of its performers with a mythic theme and an awesome auto-combustion
The German company perform a trio of suspenseful, deadpan and always sparkling works by William Forsythe
A hundred community performers join in this hit-and-miss dance-theatre collaboration
Can a tremor become a quake? A ragged, raging piece that pins its hope on the sound of one finger tapping…
Strong performance and striking imagery mask a more fragile dramatic structure in Akram Khan’s Xenos.
Jigs, folk music and melancholic messages marked this seafront revival of Stopgap Dance Company’s poetic open-air show.
Kim Brandstrup’s mysterious take on Calderón’s 17th-century play is set in an illusory world of doppelgangers, alter egos and unstable duets
My randomly changing picks from the archive
The mutant offspring of Riverdance, the Wizard of Oz and Rocky Horror – and not in a good way
Astonishing, unclassifiable work of dance theatre about an unrepresentable subject
On subject, action and number in dance, and in writing about dance
In which I take three Londoners on blind dates with dance. What happened?
On the crossed histories and aesthetics of dance and figure skating
Dance macabre with skeleton: Renata Piotrwoska-Auffret sidesteps the usual gendered depictions of dance and death
What have Ravel's only two operas in common? Nothing – except the death of a parent
The Royal Ballet and its outliers: a fascinating but over-egged dance-opera, a jaw-droppingly delusional space-ballet, and a classy, unclassical closer.
My entry in the Guardian's "Musicals we love" series, a delightful comedy with a serious message that puts dance up front
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