A work of complex, contemplative beauty that leaves you alive with impressions, wondering what you have witnessed
Polyphony of voice and body in a performance built on the toll of religion and the clang of flesh against symbol
At 55, superstar performer Louise Lecavalier remains a dynamo of a dancer. With her first choreography, she seems to be searching for a window onto a wider world
Vandekeybus’s combative, many-headed monster of a piece will mess with your head – and it’s worth it
A mighty, and mightily disturbing piece, even – perhaps especially – when it has finished and the cathartic applause begins