Queen Elizabeth Hall


  • Cullberg: Figure a Sea

    A work of complex, contemplative beauty that leaves you alive with impressions, wondering what you have witnessed


  • Deborah Colker: Dog without Feathers

    Lithe and dynamic dancers, and a profusion of sights, sounds and sensations in Dog without Feathers by Brazilian choreographer Deborah Colker


  • D’Avant

    Polyphony of voice and body in a performance built on the toll of religion and the clang of flesh against symbol


  • Louise Lecavalier: So Blue

    At 55, superstar performer Louise Lecavalier remains a dynamo of a dancer. With her first choreography, she seems to be searching for a window onto a wider world


  • Ultima Vez: booty Looting

    Vandekeybus’s combative, many-headed monster of a piece will mess with your head – and it’s worth it


  • Meryl Tankard & Paul White: The Oracle

    A mighty, and mightily disturbing piece, even – perhaps especially – when it has finished and the cathartic applause begins


  • Orchestra of the Age of Enlightenment/Oguike Dance

    Old music and new dance in a terrific “contest between harmony and invention”


  • Emio Greco | PC: Rocco

    Will they fight or will they f**k? Mickey Mouse boxers heighten the anticipation without placing the punches


  • Sydney Dance Company

    Rafael Bonachela’s choreography is inventive, sweeping and stimulating – but the parts are still better than the whole


  • Candoco: Trisha Brown, Matthias Sperling, Rachid Ouramdane

    A reboot of a classic work outclasses two experiments, one intriguing and the other – really not