Sweeping nostalgia meets occult menace in this three-part homage to dance pioneer Isadora Duncan
The final part of Peeping Tom’s trilogy surreally explores the innocence and danger of childhood – it’s definitely not for kids
A searing work by hip-hop duo Boy Blue turns the stage into a mindscape of black depression, but – like depression itself – can become heavy-handed
Crackpot sci-fi and retro technomysticism in a piece that neither goes the full Star Trek nor finds a mission of its own
A programme pairing Cathy Marston’s taut psychodrama with Arthur Pita’s impishly perverse take on Shakespeare
The Royal Ballet and its outliers: a fascinating but over-egged dance-opera, a jaw-droppingly delusional space-ballet, and a classy, unclassical closer.
An assemblage of interesting parts that only intermittently twitches into life
Aditi Mangaldas‘s company in a kathak-rooted reflection on ageing
Class and iconoclasm intermingle in Michael Clark’s latest evening of work – always stylish, intermittently substantial
Very different faces of contemporary dance from three Indian choreographers