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You are here: Home → Reviews → East Wall: Hofesh Shechter’s dance army lays siege to Tower
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By: Sanjoy Roy · Published: The Guardian 20 July 2018 · Category: Featured, Reviews · Place: London · See original at The Guardian

East Wall: Hofesh Shechter’s dance army lays siege to Tower

The Israeli choreographer led youth groups in an exhilarating open-air performance to celebrate the gory, glorious history of London’s East End
Photo of Jonadette Carpio with One Youth Dance and University of East London Dance Collective, in Duwane Taylor’s section of Hofesh Shecther’s East Wall

Jonadette Carpio with One Youth Dance and University of East London Dance Collective, in Duwane Taylor’s section of East Wall. Photo: Richard Leahair

It sounds like a sterling idea for a community artwork: a collaboration between East London Dance, Hofesh Shechter Company, Historic Royal Palaces and Lift, who paired four choreographers with youth groups to create an open-air performance at the Tower of London celebrating the history and diversity of the East End and its people.

Four years in the making and directed by Shechter, East Wall turned out to be much more than that, something far more convincing: an expression of human complexity that combined community with conflict, vitality with violence, civilisation with its discontents. At the start, the Gold Vocal Collective sang a surreal, harmonised version of David Bowie’s Space Oddity. Then an entire brass band of guardsmen in full livery rounded the corner and marched across the stage. Was this already a dance performance? It was costumed entertainment, it was a blend of sound and motion, and it was – as the band marched off, leaving a solitary civilian on the floor, as if trampled – a ceremonial display and an embodiment of militarism. Early on, our sense of place and perspective was becoming complicated.

A sign of their age or a sign of the times? Probably both.

Such ambivalences permeated the hour-long event. Performed with Big Deal Dance and Just Us Collective, Joseph Toonga’s opening section – untitled, like all the numbers in the evening – used a torqued, warped hip-hop style to fracture a group into factions who seemed to occupy different space-time fields. Duwane Taylor, with One Youth Dance and University of East London Dance Collective, staged a kind of classroom revolution spearheaded by formidably fierce krumper Jonadette Carpio. Though exhilarated by the uprising and the energy, you couldn’t help but notice an echo of the marching band in those follow-my-leader lines: different beat, same hierarchy. Or that the dynamics of krump, oscillating between outburst and suppression, seemed to pervade the youth dance groups throughout. A sign of their age or a sign of the times? Probably both.

There were subtler but no less deep ambiguities in James Finnemore’s section with Incognito and Shift dance companies, featuring a kind of queen bee in a hive of courtly activity. Finnemore’s finely crafted group-work showed the surrounding dancers guiding her steps, parting before her, stabilising her leans. Arrayed in front of her, hands held open, they could be passive drones awaiting her bidding – or was she the reluctant figurehead for an expectant crowd?

The sarcasm was as biting as the brutality was relentless.

Becky Namgauds directed another subtle scene with Cando2, Elevate and One Youth dance companies. In it, there was a slow tide of rolling bodies topping and then immersing a line of upright figures, with one central couple struggling turbulently together before being carried apart by the human wave. It was a marked contrast to the subsequent section, by the superlative Shechter II youth company, which layered courtly mannerisms, clownish capers and shocking enactments of violence – throats slit, guts skewered, brains blasted, bodies electrocuted – while nailing them to rattling rhythms and a driving pulse. The sarcasm was as biting as the brutality was relentless.

All the dancers and musicians – brass band included – came together for the finale, not as some harmonious whole but as a bracing cacophony of sound and action. Postcard-perfect in the evening sunshine, the Tower of London became the perfect backdrop: proud monument, enduring attraction, site of time-honoured tradition, brutal violence and political machination, and the gateway to London’s multiplicitous, storied East End. Embrace those contradictions.

Photo of Robinson Cassarino of Shechter II in East Wall, Tower of London
Robinson Cassarino of Shechter II in East Wall. Photo: Victor Frankowski
Photo of Melissa Bravo in Duwane Taylor’s section of Hofesh Shechter’s East Wall, with One Youth Dance and University of East London Dance Collective, Tower of London
Melissa Bravo in Duwane Taylor’s section of East Wall, with One Youth Dance and University of East London Dance Collective. Photo: Richard Leahair

Photo of Tyrone Isaac-Stuart in Joseph Toonga’s section of Hofesh Shechter’s East Wall, with Big Deal Dance and Just Us Collective
Tyrone Isaac-Stuart in Joseph Toonga’s section of East Wall, with Big Deal Dance and Just Us Collective. Photo: Richard Leahair
Photo of Shechter II dancers in East Wall, Tower of London
Shechter II dancers in East Wall. Photo: Victor Frankowski

Photo of Neal Maxwell of Shechter II, East Wall.
Neal Maxwell of Shechter II, East Wall. Photo: Victor Frankowski
Photo of Mary Mannion and Daniel Phung in Becky Namgauds’ section of Hofesh Shechter’s East Wall, with Cando2, Elevate Dance and One Youth Dance
Mary Mannion and Daniel Phung in Becky Namgauds’ section of East Wall, with Cando2, Elevate Dance and One Youth Dance. Photo: Victor Frankowski

Photo of the group finale of Hofesh Shechter’s East Wall at the Tower of London.
The group finale of Hofesh Shechter’s East Wall at the Tower of London. Photo: Victor Frankowski
Photo of the group finale of Hofesh Shechter’s East Wall at the Tower of London
The group finale of Hofesh Shechter’s East Wall at the Tower of London. Photo: Richard Leahair

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