Part brainy researcher and inventor, part inspired artist and creator, Trisha Brown is one of the great explorers of postmodern dance, with a distinctive body of work that is often off the wall – sometimes literally.
The rise and fall – then rise and fall and rise – of Phoenix Dance Theatre is a story of small beginnings, high-flying, and a couple of crash landings. Along the way, lots of people have had lots of views about what it is or should be, with the result that this company has had…
Born in poverty in rural Texas, Alvin Ailey grew into a gifted choreographer who drew inspiration from African American culture. He went on to become both an American institution and a broken man.
Shaped by both their family and their national history, Grupo Corpo have built a body of work that has come to define a hybrid and particularly Brazilian style of contemporary dance.
The Bolshoi is arguably the most famous ballet company in the world; it all but stars in its own epic tale of fortune and failure, a story with more dramatic turns than a pirouetting prima ballerina.
Fifty years ago, Nederlands Dans Theater forged a middle path between classical ballet and modern dance, creating a “modern ballet” style and approach that spread across Europe.
American Robert Cohan redrew the map of British dance. In an unlikely partnership, a Jewish boy from Brooklyn teamed up with an aristocratic Englishman to establish a new modern dance scene in the country, and even though his company is long-defunct, its school continues and its effects are still felt.
Founded on a dare and a joke, Les ballets C de la B is a cacophonous, many-headed dance-theatre collective whose performances careen between surrealism, social psychology, slapstick and semiotics. Coherence, needless to say, is not a priority – but that’s the world we live in.
Not ballet, but definitely national, the Ballet Nacional de España aspires to a post-Franco ideal: to be a distinctively Spanish company that can accommodate regional and historical differences, as well as modernise and innovate.
A small person with a huge presence, Brazilian choreographer Deborah Colker combines the competitive edge of sport, the self-discipline of ballet, the freedom of modern dance and the daredevilry of circus into one big audience-friendly package.