writing on dance
Welcome to my catalogue of writing on dance – a searchable, referenced, linked-up and pretty much complete collection of more than 800 of my published writings on dance (+ a bit more), dating back to 1994. Feel free to jump in.
Latest published articles on the archive
At Aerowaves 2019 Spring Forward festival I noticed a choreographic structure which I interpret as: life is more of the same, then you die
Lithe and dynamic dancers, and a profusion of sights, sounds and sensations in Dog without Feathers by Brazilian choreographer Deborah Colker
Mixing dance, song and speech, Luca Silvestrini’s production of Saint-Exupéry’s classic children’s story is full of charm but softens its ambivalence
Lightweight take on ‘Europe’ riffing on the commonalities and incomprehensions between Finnish and Hungarian national(ist) cultures
Flora Détraz’s Dada quartet is surreal, clockwork and cloud cuckoo land
Courtly gestures and jesterly attitude – but who is the joke on?
Crackpot sci-fi and retro technomysticism in a piece that neither goes the full Star Trek nor finds a mission of its own
Rooted in traditional Greek dancing, the choreography blooms when it abandons folky footwork for Russell Maliphant’s more characteristically elastic moves
Cathy Marston’s new ballet about Queen Victoria and her daughter Beatrice is outstandingly choreographed, cinematically scored and danced with nuance
Dimitris Papaioannou’s work for Tanztheater Wuppertal Pina Bausch is packed with finely drawn imagery but sketchy on character
My randomly changing picks from the archive
Character karaoke and film-clip Frankenstein: a Bolton brown boy's encounter with superheroes becomes a most excellent adventure
Strong performance and striking imagery mask a more fragile dramatic structure in Akram Khan’s Xenos.
My entry in the Guardian's "Musicals we love" series, a delightful comedy with a serious message that puts dance up front
What have Ravel's only two operas in common? Nothing – except the death of a parent
Commanding, challenging, enlightening and uplifting: a programme of dance by Anne Teresa De Keersmaeker and music by Steve Reich
The late actor's classical dance training helped him smoulder as a romantic hero on stage and screen
Thirty years on, the spirit of prog rock is alive and well and living in Tom Dale
Black Swan is just the latest in a long line of ballet films that thrive on melodrama and horror
Enlightening, exhilarating and exasperating in equal measure, Jill Johnston's collected criticism is a window onto a mythical decade, the 60s
Your email address:
Send post to email address, comma separated for multiple emails.